NOUS SOMMES PAREILS À CES CRAPAUDS
QUI DANS L’AUSTÈRE NUIT DES MARAIS S’APPELLENT ET NE SE VOIENT PAS, PLOYANT À LEUR CRI D’AMOUR TOUTE LA FATALITÉ DE L’UNIVERS
IDEAZIONE/CREATION BY ALI THABET E HEDI THABET
DIREZIONE MUSICALE/MUSIC DIRECTION SOFYANN BEN YOUSSEF
DI E CON/BY E WITH ARTÉMIS STAVRIDI, MATHURIN BOLZE, HEDI THABET
MUSICISTI/MUSICIANS STEFANOS FILOS, IOANNIS NIARCHOS, NIDHAL YAHYAOUI, CHARIS TSALPARA
SUONO/SOUND DESIGN JÉRÔME FÈVRE LUCI/LIGHT DESIGN ANA SAMOILOVICH
PRODUZIONE/PRODUCTION ALI THABET, HEDI THABET E LA COMPAGNIE MPTA
IN COPRODUZIONE CON/IN CO-PRODUCTION WITH CÉLESTINS – THÉÂTRE DE LYON, THÉÂTRE DU ROND POINT – PARIS
CON IL SOSTEGNO DI/WITH THE SUPPORT OF THÉÂTRE NATIONAL – BRUXELLES, LA CASCADE – PNC RHÔNE-ALPES ET DU BOIS DE L’AUNE – COMMUNAUTÉ DU PAYS D’AIX
ALI
DI E CON/BY AND WITH MATHURIN BOLZE E HEDI THABET
MUSICISTI/MUSICIANS STEFANOS FILOS, IOANNIS NIARCHOS
SUONO/SOUND DESIGN JÉRÔME FÈVRE
LUCI/LIGHT DESIGN ANA SAMOILOVICH
PRODUZIONE/PRODUCTION COMPAGNIE MPTA
CON IL SOSTEGNO DI/WITH THE SUPPORT OF LA BRÈCHE – PNC BASSE NORMANDIE, LE STUDIO LUCIEN – LYON, LES NOUVELLES SUBSISTANCES – LYON
date/dates 12, 13 luglio/july h 23.00
luogo/venue teatro nuovo
durata/running time 1h 15min
lingua/language spettacolo senza uso di parole/show without words
paese/country francia/france
Nous sommes pareils à ces crapauds… explores the theme of marriage through the story of a woman and two men. In front of them, an orchestra: the rhythms of the Greek and Tunisian musicians move between a Rebetiko repertoire and that of Cheik el Afrit.
Next Ali: a short work which aims to communicate something urgent through non-verbal language: it tells the story of a meeting between two individuals, or perhaps between one individual and the image of himself….. Despite being created over a period of five years, the two performances are connected as they address the theme of opposite identities, ambiguity and desire.
