CONCEPT, DIRECTION, CHOREOGRAPHY AND COSTUMES MARTIN ZIMMERMANN
CREATED WITH AND INTERPRETED BY TAREK HALABY, DIMITRI JOURDE, ROMEU RUNA, COLIN VALLON
MUSIC CREATION COLIN VALLON
WRITTEN SABINE GEISTLICH
SET MARTIN ZIMMERMANN, SIMEON MEIER
DEVELOPMENT STAGE, TECHNICAL COORDINATION INGO GROHER
SOUND ANDY NERESHEIMER
LIGHT JÉRÔME BUECHE
ARTISTIC COLLABORATION EUGÉNIE REBETEZ
ASSISTANT DIRECTOR SARAH BÜCHEL
CREATION STAGE MANAGER ROGER STUDER
CONSTRUCTION DECOR INGO GROHER ATELIERS DU THÉÂTRE VIDY-LAUSANNE
PAINTING MICHÈLE REBETEZ-MARTIN
COSTUMES CONFECTION KATHARINA BALDAUF, DORIS MAZZELLA
STAGE MANAGER ROGER STUDER, JAN OLISLAGERS
LIGHT DIRECTION JÉRÔME BUECHE, SARAH BÜCHEL
SOUND DIRECTION ANDY NERESHEIMER, FRANCK BOURGOIN
TECHNICAL ADMINISTRATOR SARAH BÜCHEL
COMMUNICATION MZ ATELIER
BOOKKEEPING CONNY HEEB
PRODUCTION MANAGEMENT ALAIN VUIGNIER
INTERNATIONAL PRODUCER CLAIRE BÉJANIN
PRODUCTION MZ ATELIER
COPRODUCTION BIENNALE DE LA DANSE DE LYON 2018, KASERNE BASEL, LE VOLCAN, SCÈNE NATIONALE DU HAVRE, LES 2 SCÈNES, SCÈNE NATIONALE DE BESANÇON, LES THÉÂTRES DE LA VILLE DE LUXEMBOURG, MAILLON, THÉÂTRE DE STRASBOURG – SCÈNE EUROPÉENNE, MAISON DE LA CULTURE DE BOURGES / SCÈNE NATIONALE, SCÈNE NATIONALE DU SUD-AQUITAIN, NEBIA – BIEL / BIENNE, THÉÂTRE DE LA VILLE, THEATER CASINO ZUG, THEATER CHUR, THÉÂTRE VIDY-LAUSANNE, ZÜRCHER THEATER SPEKTAKEL
WITH SUPPORT FROM ERNST GÖHNER FOUNDATION, CULTURAL FUNDS – SOCIÉTÉ SUISSE DES AUTEURS (SSA), STANLEY THOMAS JOHNSON FOUNDATION, CORYMBO FOUNDATION
FINAL REHEARSALS IN THÉÂTRE VIDY-LAUSANNE
Martin Zimmermann is supported by a cooperative funding agreement with The Culture Department City Of Zurich, Department Of Culture Canton Zurich And Pro Helvetia – Swiss Arts Council. Martin Zimmermann is “artiste associé” at Tanzhaus Zürich.
national premiere
june 15 at 21.30
june 16 at 19.00
Napoli
Teatro Mercadante
After taking part at NTFI in 2010 and in 2015 with De Perrot, where he introduced audiences to a world of circus and acrobatics, Zimmermann is back in Naples with a show directed by himself. «The three characters in this show — explains the artist — deal with some very important issues such as authority, submission and freedom, both in childhood and in ‘madness’. For a long time now I’ve been interested in understanding the role of the clown in contemporary theatre: I decided to place the trio in a submissive world of strict regulations, something similar to a museum. The main question is: how will they survive?».
