An itinerant acting tradition for theater and cinema between the 40s and 60s
curated by Roberto D’Avascio for Arci Movie
This film review aims to investigate the figure of the great interpreter of Neapolitan tradition in cinema between the end of the 40s and the mid60s, paying particular attention to the acting strategies implemented, characterized by a specific shape of body, gestures, and voice, and underlining the strong link with a stratified theatrical matrix.
PALAZZO REALE – CORTILE DELLE CARROZZE FROM 7 TO 13 JULY AT 22
7 July
focus> Eduardo De Filippo, Ugo D’Alessio, Titina De Filippo, Beniamino Maggio and Aldo Giuffrè
ASSUNTA SPINA by Mario Mattoli (1948, 76 ‘)
8 July
focus > Vittorio De Sica e Tina Pica
IL CONTE MAX by Giorgio Bianchi (1957, 97’)
9 July
focus > Totò, Sophia Loren, Dolores Palumbo, Enzo Turco, Carlo Croccolo e Nicola Maldacea Jr.
MISERIA E NOBILTÀ by Mario Mattoli (1954, 95’)
10 July
focus> Carlo Croccolo
LEVELLA DE ‘CRIATURE by Fratelli Borruto (2019, 15′)
CARLO by Mara Oriente (2016, 10 ‘)
with the intervention of Daniela Cenciotti
11 July
focus> Totò, Peppino De Filippo and Titina De FilippoTOTÒ, PEPPINO E T FUORILEGGE by Camillo
Mastrocinque (1956, 98’)
12 July
focus> Eduardo De Filippo, Regina Bianchi and Tecla Scarano
SPARA FORTE, PIÙ FORTE, NON CAPISCO! by Eduardo
de Filippo (1966, 100 ‘)
13 July
focus > Totò, Nino Taranto e Giacomo Furia
THE MONACO DI MONZA by Sergio Corbucci (1963, 101 ‘)
