from Jean Echenoz
adapted by Antonio Marfella
with Andrea Renzi
and with the White voice choir Alma Choir directed by Stefania Rinaldi
June 20 at 21.00
Teatro Sannazaro
Napoli
«It is made entirely of fractured moments: a short stride, decomposed, irregular and jerky, a strange and hesitant/suffering pace, combined with harsh robot-like movements — it discourages, it deceives — that eternal bobbing of the head…». The undisciplined style of Emil, the ironic one by Echenoz. The train-like breathing by Emil, the anything but heroic one by Echenoz. And still, the rhythmic rhapsody of Emil, and the light and linear one by Echenoz. And yet both, music…
