Trilogia dei Giuramenti
1. Discorso ai vivi e ai morti
2. Non ancora, eppure già
3. Giuramenti

set design, lights and directed by Cesare Ronconi
script by Mariangela Gualtieri
with Arianna Aragno, Elena Bastogi, Silvia Curreli, Elena Griggio, Rossella Guidotti, Lucia Palladino, Alessandro Percuoco, Ondina Quadri, Piero Ramella, Marcus Richter, Gianfranco Scisci, Stefania Ventura
and the twenty students of Lab Valdoca per NTFI18 Carmine Bianco, Margherita Kay Budillon, Francesco Dell’Accio, Chiara Di Bernardo, Germana Di Marino, Chiara Ferronato, Gaia Ginevra Giorgi, Antonella Liguoro, Sebastian Marzak, Jonas Moruzzi, Tullia Primultini, Riccardo Santalucia, Leonardo Sbabo, Francesca Somma, Emma Tramontana, Maria Teresa Vargas, Claudia Veronesi, Laura Villani, Zi Long Ying, Anna Zuppiroli
and with Mariangela Gualtieri in ‘Discorso ai vivi e ai morti’
drama and movements Lucia Palladino
singing instructor Elena Griggio
sound-audio for the second part is conceived and played by Enrico Malatesta
in collaboration with Attila Faravelli
costumes Cristiana Suriani, stage props and items Patrizia Izzo, prejections Cesare Ronconi
machines Maurizio Bertoni, iron sculptures Francesco Bocchini, assistant light staff Stefano Cortesi, service audio Andrea Zanella, Michele Bertoni
project supervisory and press office Lorella Barlaam
administration Cronopios SAS
produced by Teatro Valdoca
in collaboration with Fondazione Campania dei Festival – Napoli Teatro Festival Italia
with the support of Regione Emilia-Romagna, Comune di Cesena
As for the part Giuramenti the collaboration is with L’arboreto-Teatro Dimora di Mondaino, Teatro Petrella di Longiano and with the support of Fondazione del Monte di Bologna e Ravenna

Teatro Bellini
June 8, H 21.00
June 9 and 10, H 19.00
timing 2 H

«The trilogy Il Seme della Tempesta (“the seed of the tempest”) takes off with a first part entitled Discorso ai vivi e ai morti (“a speech to the living and to the dead”) performed in an open space, in which an imagined assembly is formed to find a word; one capable of starting a fire. The second part, Non ancora, eppure già, (“not yet, but already”) is one of worship, an act of falling silent. The third part, with Giuramenti, (“oaths”) has precisely that solemnity, that of an oath, and relies on the same strength dynamics.
The trilogy is directed by Cesare Ronconi and written by Mariangela Gualtieri; it features 12 young actors/dancers, along with 20 other student performers selected and trained in the city of Napoli».